Evolving Bihu Geet: Are Contemporary Lyrics Challenging Traditional Notions of Decency?
Why in News?
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Bihu songs, traditionally known for their cultural richness and playful romance, have recently come under fire for vulgarity, objectification, and cultural insensitivity. The trend has sparked widespread debate in Assam about the need for cultural preservation and artistic responsibility.
Important Key Points:
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Essence of Bihu:
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Bihu is more than a festival—it’s the heart of Assamese identity, symbolizing seasonal renewal, community, and joy.
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Bohag Bihu is known for traditional dances, dhol, pepa, toka music, and romantic, lively Bihu geet.
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Cultural Shift in Music:
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Recent years have seen a noticeable shift in Bihu songs—from innocent flirtation to vulgar, ambiguous, or meaningless lyrics.
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Concerns are rising about misogyny and the erosion of traditional values in Assamese pop culture.
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Controversial Examples:
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“Bati Bhorai Sira Khabi” and “Kumol Kumol tumar buku khoni” (from Lakhimiai by Zubeen Garg) have been criticized for objectifying women.
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“Disco Bhonti” (2016) by Kusum Kailash faced backlash for cringeworthy lyrics and tone-deaf portrayal of women in traditional attire.
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Cultural Concerns Raised:
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Artists and cultural advocates are calling for greater responsibility in content creation.
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The controversy has ignited discussions on gender sensitivity, preserving Assamese cultural integrity, and redefining modern Bihu expression.
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